Dodua Otoo's writing is efficient and brutal with a journal-like quality. This writing style effortlessly explores complex issues like white supremacy in intimate relationships, cultural colonialism, immigration, the mine-field of divorce and universal human failure. None of these issues are at the center of the story, yet are weaved through everything that happens. Her narrative gives us a sneak peek into the unsaid and often felt universe of a black woman in Berlin.
Haiti is about to have a devastating earthquake and three boys in a orphanage are dreaming of fleeing. They share two beds between them and dream of the endless possibilities of life on the street. Three Kids chronicles their journey in the aftermath of the earthquake as they struggle with the realities of urban independence. The film presents the conflict of children that are completely detached from their roots yet possessed by the ghosts of their past.
My mind is a whirl of movies and my pupils are still dilated. Most of the filmmakers in the Berlinale Blackness films were coming from outside of the culture that they wanted to represent. This means that they would be naturally attracted to the most striking elements of the society that they were discovering and may not have had the cultural fluency to appreciate the subtler aspects of that society.
I finally put together the Berlinale Blackness guide and organized myself to see each one of the movies in addition to some festival standouts and recommendations that I have been told not to miss. But since amy daily meditation has not yet made me patient, I decided to internet stalk the movies that I intend on watching and found some great trailers and teasers that made me more excited to see the movies.