In a country where being lesbian, gay, bisexual, transgender, or queer is a crime, there are still people who dare to be themselves and put their freedom on the line in order to help others in the community. The documentary, the feature-length debut of directors Shaun Kadlec and Deb Tullmann, premiered at the Berlinale and introduced us to the lives of homosexuals living in Cameroon. The film is self-produced and is shot guerrilla style.
The original master material of Clarke's was lost for over 45 years, and thanks in part to Milestone Pictures Kickstarter campaign, a restored print was premiered at the film festival in Berlin to sold- out audiences. One has to wonder how such a seminal film, one that Ingmar Bergman described as, “The most fascinating film I've ever seen,” could come so close to being lost from history. It would be easy to say that the Black, gay character and a female director are the cause for the films mishandling by the powers that be, but perhaps the films' challenging nature - exactly the thing that make it so special – is what put it in danger of being erased from the film canon.